this blog is -more or less- an archive 
as every archive -more or less- is a bit messy and inconsistent

I am working on sculpture in the widest sense: material appearances in space.
I perceive the individual medias that I embrace such as drawing, sculpture, installation and performance, limbs of the same organism.

I have studied in Chelsea College of Art and Design, London, UK (MA Master and Postgraduate Diploma in Fine Art) and in School of Fine Arts in Thessaloniki, Greece (BA Hons in Painting).
My work has been exhibited in Greece, UK, Germany, Lebanon and the U.S.A.

I am also founding member of the artist's group "KangarooCourt" and I currently live and work in Athens.



Present - DaDa Da Academy
IFAC Athens, GR
address Galaxia 11
Opening Monday 03.04.2017, 8p.m.
Duration 4 April-25 May 2017

participating artists Antonakis, Tjorg Douglas Beer, Socrates Fatouros, Rui Miguel Leitao Ferreira, Vaggelis Hoursoglou, Lakis & Aris Ionas / The Callas, Georges Jacotey, Robert Jelinek, Stelios Karamanolis, Albert Mayr, Panos Papadopoulos, Elisabeth Penker, Tula Plumi, Nana Sachini, Sofia Stevi, Sofia Touboura, Amalia Vekri, Vincent Verhoef, Lee Wells.

Antiquidia-Dialogue with antiquity gallery, Athens, GR
address Aristofanous 20
Opening Tuesday 04.04.2017, 7p.m.
Duration 5 April-14 July 2017

participating artists Christos Athanassiadis, Demi Kaia, Michalis Kallimopoulos, Nikos Kessanlis, Anna Laskari, Dimitris Merantzas, Apostolos Ntelakos, Leda Papakonstantinou, Rania Ragkou, Nana Sachini, Stefania Strouza, Mark Hatzipateras, Alexandros Psychoulis

"Pleasure Pillow", 2008

"Pleasure Pillow", 2008. 10min video-documentation of a 40min performance.
Location: Chelsea College of Art and Design, London, U.K.
presented in:
"Inside Out", GV Art Gallery, London, U.K. (2009)"Propeller Island", Thurloe Place, South Kensington, London, U.K. (2009)


An attempt to create a sculpture with my whole body except hands-from the wrist to the fingertips (I only use them to throw the material). A"choreography" of the body in an attempt to become the tool for manipulation and harnessing of matter. A questioning about the absence of the relationship between hand-brain-creation, and therefore the activation and the prioritization of the members of body and of senses.